Opciones de compra
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string(1660) "El proceso de sentir, pensar e imaginar lo refleja ante todo el arte. Rodeado por el silencio, el creador enfrenta su dilema existencial al tiempo que va elaborando una representación posible del mundo que habita, o las posibilidades de su propio mundo. Forma y revocación, forma y renuncia, forma y transgresión. Estas fórmulas se gestan cuando el artista cava un espacio original en la planicie de la vida, delimitado por los puntos cardinales, limitado por una sociedad a la que pertenece o a la que renuncia.
Crear lenguaje, lenguajes, es un asunto de significación y de morfología, pero además una estructura nerviosa organizada a través de experiencia y reflexión y resuelta con la precisión de asir algo para poder nombrarlo. Se trata de unir significados previos para crear un tercero. ¿Originalidad ? ¿Modernidad, posmodernidad o tradición ?
Estos conceptos trillados pero recurrentes son, en cierto modo, plataformas desde donde se convocó a los escritores de Luvina 95 para mostrar que la creación literaria nunca cesa ni cesará mientras la especie humana se siga debatiendo en este planeta.
Desde la trinchera de su propia escritura, quienes aquí escriben responden a las preguntas: ¿el siglo xxi es una buena época para la creación literaria? ¿Las aguas del río literario avanzan a cielo abierto o bajo tierra? ¿Existen lectores que correspondan a las corrientes creadas por los literatos?
En Luvina 95 presentamos una diversidad de territorios literarios a manera de medición de las aguas y la topografía creativas actuales. Sitios asombrosos en fuerza y belleza.
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Medusa vida mía
La fe literaria*
Palabra empecinada
La resta
Poemas /James Knight
Falsos demiurgos
Poemas / Franc Ducros
Conocimiento
Desembocar en los ríos de Clarice Lispector
Madre
Poemas / Marcelo Guajardo
Tic-tac, tic-tac, o adónde va el libro
Oda a un chivo emisario
Tú, Orfeo: los cuchillos y el canto (Notas acerca del oficio de escribir)
A propósito de la clausura de la instalación no alcohol, no mota, no droga, de Édgar Cobián y Cr
Eloísa vertical [fragmento]
Los animales
De mujeres que hubieran preferido que no (proyecto de escritura a largo plazo)
Creatividad y tecnología
boulevard
La novela y sus ladrillos
Boga en plena noche el navío de las palabras
Cerezas
Poemas / Francisca Ricinski
Una rubia leyendo en el Central Park
Poemas / Roxana Paez
Mentiras, fama, memoria, enfermedad y el teatro de Reza Abdoh
Bala bizarra, capital de mi estado
Voz y vocación: una poética
California dreamin’
El simulacro
Páramo
Arte
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Desde la trinchera de su propia escritura, quienes aquí escriben responden a las preguntas: ¿el siglo xxi es una buena época para la creación literaria? ¿Las aguas del río literario avanzan a cielo abierto o bajo tierra? ¿Existen lectores que correspondan a las corrientes creadas por los literatos?
En Luvina 95 presentamos una diversidad de territorios literarios a manera de medición de las aguas y la topografía creativas actuales. Sitios asombrosos en fuerza y belleza.
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Medusa vida mía
La fe literaria*
Palabra empecinada
La resta
Poemas /James Knight
Falsos demiurgos
Poemas / Franc Ducros
Conocimiento
Desembocar en los ríos de Clarice Lispector
Madre
Poemas / Marcelo Guajardo
Tic-tac, tic-tac, o adónde va el libro
Oda a un chivo emisario
Tú, Orfeo: los cuchillos y el canto (Notas acerca del oficio de escribir)
A propósito de la clausura de la instalación no alcohol, no mota, no droga, de Édgar Cobián y Cr
Eloísa vertical [fragmento]
Los animales
De mujeres que hubieran preferido que no (proyecto de escritura a largo plazo)
Creatividad y tecnología
boulevard
La novela y sus ladrillos
Boga en plena noche el navío de las palabras
Cerezas
Poemas / Francisca Ricinski
Una rubia leyendo en el Central Park
Poemas / Roxana Paez
Mentiras, fama, memoria, enfermedad y el teatro de Reza Abdoh
Bala bizarra, capital de mi estado
Voz y vocación: una poética
California dreamin’
El simulacro
Páramo
Arte
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