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Y el mal nos abre la posibilidad de ejercer la libertad, bajo el riesgo de disolver la noción misma de humanidad.
Robos, asaltos, asesinatos en serie, descuartizados, mutilados. Actos del todo inhumanos. Luvina se instala en los límites del fenómeno humano, ahí donde lo inhumano se padece diariamente y se imagina como la única posibilidad de cercarlo. Por eso Borges se preguntaba «¿Por qué crea Dios este mundo tan lleno de errores, tan lleno de horror, tan lleno de pecados, tan lleno de dolor físico, tan lleno de sentimiento de culpa, tan lleno de crímenes?».
En medio de la barbarie mundial, Luvina trata de rescatar gramáticas de la esperanza. Y rinde homenaje a Guillermo Fernández, amigo muy querido y colaborador, recientemente fallecido. Se une, también, a la pena nacional por el deceso de Carlos Fuentes, a quien haremos un merecido reconocimiento en el próximo número.
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Evítame, por favor
Poemas
Casi humano
En invierno la danza
Los dos abriles 1786-1992
El saqueo del museo de Irak
Los constructores de diques
Poemas
Night and the City: Las matemáticas del crimen
W. B. Yeats
La doncella
El oscuro
Camaleón
Hervidero
Un residuo sonoro
Palabra que no dice
El que pega manda
I La Torre Luz
De la memoria
Espejos laterales
La chiripa
Tres Poemas
Sobrevivir a la noche. Lecturas y conversaciones de Primo Levi
In memoriam Guillermo Fernández
«Un río donde tanto se desune»
Recitación por Guillermo Fernández
Poema
El sueño de los árboles
Páramo
Plástica
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Evítame, por favor
Poemas
Casi humano
En invierno la danza
Los dos abriles 1786-1992
El saqueo del museo de Irak
Los constructores de diques
Poemas
Night and the City: Las matemáticas del crimen
W. B. Yeats
La doncella
El oscuro
Camaleón
Hervidero
Un residuo sonoro
Palabra que no dice
El que pega manda
I La Torre Luz
De la memoria
Espejos laterales
La chiripa
Tres Poemas
Sobrevivir a la noche. Lecturas y conversaciones de Primo Levi
In memoriam Guillermo Fernández
«Un río donde tanto se desune»
Recitación por Guillermo Fernández
Poema
El sueño de los árboles
Páramo
Plástica
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Fotografía de Alberto Tovalín"
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Fotografía de Johann Mergenthaler"
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