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string(2158) "Lo indispensable y lo arbitrario. Unir ambos cabos de la realidad es una de las empresas más difíciles que la literatura se impone, además de volver familiar, habitable, un territorio ajeno y fronterizo. Históricamente, cada género literario ha tenido su espacio, su nombre y sus límites, ¿y lo demás?, ¿y todo lo otro? Cada nueva forma surgida de esa transacción entre la realidad y su frontera, al cabo del tiempo se estandariza, se congela, se vuelve parte de la costumbre hueca y sin sentido. Pierde su significación.
En esta edición, Luvina rinde homenaje a un género que levó las amarras al lenguaje permitiéndole la incorrección, es decir, la búsqueda permanente. Lo bajó a la calle desde lo privado y doméstico, desde el yo más hondo y menos grandilocuente. Montaigne se dio a la tarea de arar esta parcela donde el lenguaje logra permanecer virgen, simple, natural y ordinario. Y siempre vivo. Una especie de manantial del sentido, donde se puede vivir con la libertad de las primeras leyes de la naturaleza. “Así, lector”, dice en la introducción a sus Ensayos, “soy yo mismo la materia de mi libro. Adiós entonces; de Montaigne, el primero de marzo de mil quinientos ochenta”.
En este número, Luvina publica una muestra de ensayistas jóvenes mexicanos que logran izar sus ensayos sitiados por el ruido, el sinsentido y la mercadotecnia. Plumas que demuestran cuán vigente y necesario es este género híbrido, descontextualizado, que funciona como un germinar desde la oscuridad ciega hasta la metamorfosis de su nombrar propio, en el límite de sus posibilidades. Y con ellos viene una poesía y una narrativa que, como signos totales, se lanzan también hacia los bordes de sí mismos, en este afán de conservar su vitalidad y su centro.
De esta misma periferia que contextualiza y vuelve a nombrar, Rafael del Río trae a la página las sombras y sus delicados perímetros, en una serie de imágenes sobre lo inconmensurable, incoherente, insospechado y trágico de la realidad fronteriza de Tijuana. Tan contundente que nos lleva hacia una pendiente secreta del lenguaje.
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string(893) "Contraensayo
Fragmentos del desierto
Invisible
Contra el gimnasio
Astrofísica del chisme
Breve vindicación de Johann Sebastian Mastropiero
¿Quién le teme al arte contemporáneo?
Los viajes sin promesa
Decadencia de la historia
Avenida Mike Tyson y Bulevar Julio César Chávez…
Placer fantasma
¡Yo acuso! (al ensayo) (y lo hago)
Poema
Las fotografías de Bardem
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Mudanza
Music Box
Viacrucis
Puentes, acueductos
La Muralla
Pasión y muerte del equilibrista
Poemas
Huitzilopochtli
Mami debe de ser una fuente de plumas
Canciones de Alejandría(fragmentos)
Gonzalo Rojas: el oscuro y el alumbrado
Manoy mundo
Páramo
Plástica
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En esta edición, Luvina rinde homenaje a un género que levó las amarras al lenguaje permitiéndole la incorrección, es decir, la búsqueda permanente. Lo bajó a la calle desde lo privado y doméstico, desde el yo más hondo y menos grandilocuente. Montaigne se dio a la tarea de arar esta parcela donde el lenguaje logra permanecer virgen, simple, natural y ordinario. Y siempre vivo. Una especie de manantial del sentido, donde se puede vivir con la libertad de las primeras leyes de la naturaleza. “Así, lector”, dice en la introducción a sus Ensayos, “soy yo mismo la materia de mi libro. Adiós entonces; de Montaigne, el primero de marzo de mil quinientos ochenta”.
En este número, Luvina publica una muestra de ensayistas jóvenes mexicanos que logran izar sus ensayos sitiados por el ruido, el sinsentido y la mercadotecnia. Plumas que demuestran cuán vigente y necesario es este género híbrido, descontextualizado, que funciona como un germinar desde la oscuridad ciega hasta la metamorfosis de su nombrar propio, en el límite de sus posibilidades. Y con ellos viene una poesía y una narrativa que, como signos totales, se lanzan también hacia los bordes de sí mismos, en este afán de conservar su vitalidad y su centro.
De esta misma periferia que contextualiza y vuelve a nombrar, Rafael del Río trae a la página las sombras y sus delicados perímetros, en una serie de imágenes sobre lo inconmensurable, incoherente, insospechado y trágico de la realidad fronteriza de Tijuana. Tan contundente que nos lleva hacia una pendiente secreta del lenguaje.
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Fragmentos del desierto
Invisible
Contra el gimnasio
Astrofísica del chisme
Breve vindicación de Johann Sebastian Mastropiero
¿Quién le teme al arte contemporáneo?
Los viajes sin promesa
Decadencia de la historia
Avenida Mike Tyson y Bulevar Julio César Chávez…
Placer fantasma
¡Yo acuso! (al ensayo) (y lo hago)
Poema
Las fotografías de Bardem
¿Entonces definitivamente es esto lo que tenemos?
Mudanza
Music Box
Viacrucis
Puentes, acueductos
La Muralla
Pasión y muerte del equilibrista
Poemas
Huitzilopochtli
Mami debe de ser una fuente de plumas
Canciones de Alejandría(fragmentos)
Gonzalo Rojas: el oscuro y el alumbrado
Manoy mundo
Páramo
Plástica
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