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string(1026) "La "orilla", la "cerca" y el "agujero" son tres imágenes en las que se apoya el autor para exponer, de manera contundente y con una profundidad imaginativa, la tensa relación entre la frontera, el territorio y los personajes que lo habitan. Cada figuración del territorio corresponde a una de las tres novelas de Fernanda Melchor: Falsa liebre (2013), Temporada de huracanes (2017) y Páradais (2021), respectiva-mente. Con un estilo ameno, claro y cuidadoso, Adrián Eduardo Almonte deshilvana los vínculos de la novelística de Melchor con una tradición narrativa que teje su origen en José Revueltas y en Jorge lbargüengoitia, aspectos poco discutidos sobre el estilo y las inquietudes literarias de la autora mexicana.
Se trata, en primer lugar, de un estudio que presenta de forma equilibrada el análisis riguroso de tres novelas; en segundo lugar, de las tradiciones discursivas e históricas que confluyen en la narrativa de Fernanda Melchor; y, finalmente, una construcción textual impecable.
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string(1345) "Introducción
I. Narrar el territorio
1. Hacia una noción de territorio
2. Problematización desde la crítica latinoamericana
3. El conflicto fronterizo
II. Preliminares
1. El panorama literario regional
2. Panorama literario nacional
3. Panorama literario continental
III. La orilla en falsa liebre
1. La zona costera
1.1 El mar y sus símbolos
1.2 La costa como frontera
2. La deriva
2.1 Personajes en encrucijada
2.2 Las ausencias y el dolor, dos formas de extranjería
3. Comentario final: los entrecruzamientos
IV. El agujero en temporada de huracanes
1. La zona cañera
1.1 El agujero como escenario
1.2 La relación entre el desastre y los cuerpos bajo tierra
1.3 La ficción del territorio estragado a consecuencia del extractivismo
2. El despojo y el hundimiento (a propósito del personaje de la Bruja)
2.1 La bruja del bosque: un relato en tránsito
2.2 La casa en el pantano
3. Comentario final. El locus terribilis melchoriano
V. La cerca en Páradais
1. La zona residencial
1.1 Los procesos de cercamiento
1.2 Los alrededores: la casona, el muelle y el río
2. La descolocación
3. Comentario final: umbral e iniciación
Conclusiones
Bibliografía
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