Fuego en la pupila

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Las ideas que se presentan en estas páginas no buscan imponerse como definitivas, sino apenas motivar a un cuestionamiento más profundo del problema de la imagen. No intentan tampoco acoplar-se en su integridad al pensamiento jabesiano. No buscamos, en lo absoluto, poner palabras en la boca de Jabès, ni hacerlo responsable de lo aquí afirmado, sino dar cuenta de todo lo que su pensamiento es capaz de suscitar y de poner en movimiento en la mente ávida de quienes lo lean. Queda mucho por agregar, tanto por indagar sobre la relación de Jabès con las artes visuales, sobre sus posibles lecturas de la imagen sonora, sobre sus intereses y reflexiones en torno a otras artes: las musicales, dancísticas y teatrales, también sobre sus vínculos ambivalentes con el surrealismo, la influencia de otras poéticas y de otros universos simbólicos como aquellos que permearon también su cultura egipcia y sobre las otras vías de entender la semejanza que no alcanzan a leerse aquí , más que, quizás, sólo en negativo.
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¡Por Dios: abramos los oídos, alto al fuego! (Fuego en la pupila para derrotar al fascismo)
Nota preliminar 
Apertura
Preámbulo para una lectura de El libro de las semejanzas
Imagen y semejanza. Panorama general del problema de la imagen en la tradición judía
Expresión y desobramiento
Violencia e Idolatría
In-conclusiones
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Poeta y ensayista mexicana. Doctorante en Filosofía en la Universidad Nacional Autónoma de México unam. Autora de un libro. Ha publicado poemas y ensayos en revistas y libros colectivos.
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