El baile popular cubano

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Este libro nos lleva a redescubrir cada uno de los entrelazamientos lógicos e históricos que marcaron los rituales religiosos y las prácticas sociales africanas, retroalimentadas en su nuevo entorno, dando iniciación temprana a lo que posteriormente serían géneros musicales como el danzón, el mambo, el cha-cha-chá y la salsa.
"El baile popular cubano: de la brujería a la salsa" no solo es una celebración reivindicativa hacia la cultura africana y sus descendencias universales, también es un homenaje a la fortaleza y a la creatividad de un pueblo, que, a través de la fatalidad, encontró en su cuerpo, religión, rituales y ritmos, componentes para el arma más inquebrantable de resistencia e inmortalidad: la expresión.
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Prólogo
Introducción
Capítulo I. Las huellas de la afromexicanidad
Capítulo II. El muerto parió al santo. Ikú lobi ocha
Capítulo III. Agua pa' Yemayá. Ibí Boyán Odu Mí
Capítulo IV. De la brujería a la salsa 
Capítulo V. La circulación de la danza y la música cubana en México
Capítulo VI. La cultura cubana en la ciudad de Guadalajara
Conclusiones
Bibliografía
Webgrafía
Entrevistas
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Se doctoró en Humanidades y Artes en la Universidad Autónoma de Zacatecas. Es investigadora de la División de Estudios de la Cultura, y del Departamento de Estudios Literarios de la Universidad de Guadalajara. Sus estudios abarcan la investigación del arte y la arquitectura en México, en especial de Guadalajara, y la Nueva España
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