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string(1098) "El séptimo arte revela una faceta didáctica poderosa. Evoca emociones profundas, invita a la reflexión, transforma nuestra comprensión del entorno e incluso puede moldear nuestra sociedad. De ahí el papel tan crucial que desempeñan las escuelas de cine para la formación de mejores directores, sonidistas, guionistas, teóricos, críticos y productores.
Este libro documenta la trayectoria durante más de veinticinco años del Departamento de Imagen y Sonido de la Universidad de Guadalajara. Desde sus antecedentes históricos hasta las experiencias compartidas por exalumnos, docentes y personal, captura la esencia de una institución que ha sido un faro de comunidad y creatividad. Incluye un análisis de modelos pedagógicos de la ciba-cilect, integrando perspectivas sobre la enseñanza cinematográfica, así como sus deseos. El compromiso de este departamento con la enseñanza y el aprendizaje continuo en el campo audiovisual ha preparado a diversos creadores para enfrentar los retos de la industria para “Saber hacer/Hacer saber” con innovación y perspectiva.
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Los grandes personajes. El séptimo arte en la Universidad de Guadalajara
El DIS y su contribución al patrimonio cinematográfico de México
Escuelas de cine, semilleros de talento
A manera de presentación
Correspondencias
Las escuelas de cine y televisión de Iberoamérica
La mutación de los modelos pedagógicos
La cinefilia: un referente de la escuela de cine
Boris, una naranja en el Polo Norte
¿Obrera de hebillas o estudiante de cine?
En torno a la génesis de un gran logro académico
Consideraciones sobre el modelo formativo de la escuela de cine de la Universidad de Guadalajara
Una familia peculiar
Una escuela de cine
Generación diecinueve
Escuela Nacional de Artes Cinematográficas de la Universidad Nacional Autónoma de México
Nuestra casa de Libertad
Borishka
Los primeros planos de un maravilloso largometraje
Tiempo y espacio
Motorcycle Boy reigns (buscapiés)
Centro de Capacitación Cinematográfica
Familia laboral
Evocaciones a partir de la escuela empírica
Crónica de una tarea paradigmática
Diplomados de periodismo
Me acuerdo
El viaje de pentalustro
Escuela Nacional de Experimentación y Realización Cinematográfica
El primer posgrado de Cinematográficos
Nuestra maestría: veinte años y más
Entre secuencias y libros
El cine que nos falta por hacer
Escuela de Comunicación y Artes de la Universidad de São Paulo
Un edificio en blanco
Luz y sombra
Búfalos
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Estudiar cine fue un acto de fe
Escuela Internacional de Cine y TV de Cuba
Pertenezco al DIS
El elefante ros
Cómo te extraño
Donde nos contamos tantas cosas
Mikelajáuregui, hacedor de historias dentro y fuera de la pantalla
Instituto Superior Universitario de Cine de Ecuador
Escultores del tiempo
La dificultad de nombrar a una generación
El cine es de necios
El DIS, ayer y hoy
Retrato universitario de una panini
Escuela de Cine de la Arizona State University
El poder de nuestras historias
Quienes somos
Descubriendo el cine
Luz y lluvia
De la generacción Proxy
This is DIS
En la vida, como en el cine, los personajes somos acción
Nuestra ópera prima
El Ariel de Oro
Línea de tiempo
Autores
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Escuelas de cine, semilleros de talento
A manera de presentación
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Las escuelas de cine y televisión de Iberoamérica
La mutación de los modelos pedagógicos
La cinefilia: un referente de la escuela de cine
Boris, una naranja en el Polo Norte
¿Obrera de hebillas o estudiante de cine?
En torno a la génesis de un gran logro académico
Consideraciones sobre el modelo formativo de la escuela de cine de la Universidad de Guadalajara
Una familia peculiar
Una escuela de cine
Generación diecinueve
Escuela Nacional de Artes Cinematográficas de la Universidad Nacional Autónoma de México
Nuestra casa de Libertad
Borishka
Los primeros planos de un maravilloso largometraje
Tiempo y espacio
Motorcycle Boy reigns (buscapiés)
Centro de Capacitación Cinematográfica
Familia laboral
Evocaciones a partir de la escuela empírica
Crónica de una tarea paradigmática
Diplomados de periodismo
Me acuerdo
El viaje de pentalustro
Escuela Nacional de Experimentación y Realización Cinematográfica
El primer posgrado de Cinematográficos
Nuestra maestría: veinte años y más
Entre secuencias y libros
El cine que nos falta por hacer
Escuela de Comunicación y Artes de la Universidad de São Paulo
Un edificio en blanco
Luz y sombra
Búfalos
El templo
Estudiar cine fue un acto de fe
Escuela Internacional de Cine y TV de Cuba
Pertenezco al DIS
El elefante ros
Cómo te extraño
Donde nos contamos tantas cosas
Mikelajáuregui, hacedor de historias dentro y fuera de la pantalla
Instituto Superior Universitario de Cine de Ecuador
Escultores del tiempo
La dificultad de nombrar a una generación
El cine es de necios
El DIS, ayer y hoy
Retrato universitario de una panini
Escuela de Cine de la Arizona State University
El poder de nuestras historias
Quienes somos
Descubriendo el cine
Luz y lluvia
De la generacción Proxy
This is DIS
En la vida, como en el cine, los personajes somos acción
Nuestra ópera prima
El Ariel de Oro
Línea de tiempo
Autores
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